“Play can become a mechanism for healing.” – Brian McCarty
(The following excerpt from Powerful Photos Show War Through The Eyes Of Children by Lyra Kilston recently appeared on wired.com on 12/09/13. To view it in its entirety click on the link below.)
At the Spafford Children’s Center for in East Jerusalem, L.A.–based photographer Brian McCarty watched as a little girl made a crayon drawing of a dead boy. She carefully colors in a red pool of blood around his body. It was a drawing that McCarty would later use to stage one of his photographs for WAR-TOYS, a series that recreates children’s memories and fears of conflict in the Middle East with toys.
“Play can become a mechanism for healing,” says McCarty. Drawing on the tenets of art and play therapy, which help children express emotions in non-verbal ways, he sees WAR-TOYS as providing witness to the often unseen impact of armed conflict on children, while serving as part of these children’s therapeutic process.
McCarty first visited this therapeutic center in 2011 where he would observe as children worked with art and play therapists to tell and draw their stories. The drawings then served as a storyboard of sorts for McCarty, who re-created the scenes using locally purchased toys as characters and props. When possible, he brought the child along to help art direct the shoot.
McCarty worked with children in Jerusalem, the West Bank and Gaza, which produced a variety of drawings. Some children drew the keys their families kept as symbols of the homes they had to flee. A few boys portrayed heroic militants with homemade bombs. Young girls in Gaza City often drew mothers and babies near scenes of carnage.
Yet most of the drawings depicted the children’s fears. One boy’s drawing expressed how unattainable safety felt even with defense systems ready. It shows the sky full of incoming rockets and defensive interceptor missiles, while on the ground a bus explodes.
The use of toys as surrogates gives McCarty’s reenactments a playful, fictional distance while shifting the perspective to that of a child’s: closer to the ground, helplessly witnessing the shocking blur of play and violence.